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Fiction, News, Parthian Books, Wales -

Bryony Rheam's short story collection Whatever Happened to Rick Astley? has been nominated for the Outstanding Fiction Book award for Zimbabwe's  National Arts Merit Awards (NAMAs).

 

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Fiction, HistoricalFiction, Parthian Books, The Incandescent Threads, Wales -

On day 5 of our literary advent calendar, you can get stuck into the first 30 pages of The Incandescent Threads - named as one of the Sunday Times Best Historical Fiction Books of 2022! Read here! 

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#AuthorInsights, #Newsletter, 12 days of Christmas, 2022, Aspiring writers, Internship Blog, learning, New writing, opportunity, placement, Publishers, publishing, Wales -

Parthian have always caught my eye. With their striking covers and their mesmerising stories, they found their way into my life. I had the chance to witness the behind-the-scenes work of the publishing industry. The Open University who helped me to set this placement up have also been essential to being accepted in this way. I am used to working remotely due to the nature of my study, working to deadlines, and communicating openly. This opportunity came as a massive sign to me that my writing was valid. It has been a marvellous experience for me to understand my weaknesses...

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Reviews, Riverwise, Wales, writing -

Riverwise: Meditations on Afon Teifi, by Jack Smylie Wild, has received its first review, and what a review! Jon Gower, reviewing the book in Nation.Cymru, describes Wild as "a joyful celebrant and patient observer of the river and its wide catchment and of the creatures that abide and abound there". "With this fine, absorbing and wonderfully attentive book, Jack Smylie Wild joins this roster of folk who know the river exceedingly well, and display that respect by the knowledge they have acquired, and their readiness to share it." You can read the full review here. And copies of Riverwise can...

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Books, News, Parthian Books, Riverwise, Wales, writing -

"Initially I was interested in quite abstract questions about what comprised a river. I was approaching ‘my obsession’ (for this is what it quickly became) from the philosopher’s perspective. Before long a shift occurred: the question of semantically defining a river became less important; after all, there was no denying the Teifi’s existence, as it rolled seamlessly seaward, in front of me. This freed me from focusing solely on the ‘flowing water of the Teifi’, and from this point on the project broadened its scope. I began to write about the lives of the river: its banks, its secret places...

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