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30% off translations for #womenintranslation month!
August is #womenintranslation month, and at Parthian we always strive to celebrate those literary gems – poetry, fiction, memoir – that would otherwise not reach an English-language readership. We have a wealth of talented female authors and translators on our list and we're constantly seeking to add to it. This week saw the release of the wonderful short-story collection Burning Bones by Miren Agur Meabe, translated from Basque by Amaia Gabantxo. In a fascinating interview with Sophie Buchaillard for Wales Arts Review, Amaia Gabantxo discusses the joys and thorny aspects of translating poetry and prose from Basque to English. ...
Writer's Corner - Philippa Holloway
Dr Philippa Holloway is writer and senior lecturer at Staffordshire University. The Half-Life of Snails #THLOS, is her debut novel and follows the narratives of two sisters Helen and Jennifer. A bond that has been intertwined and tested by the looming Wylfa Power Station that marked their childhood in Ynys y Mon. During research for her PhD which examined nuclear psychogeography, Philippa visited the Chernobyl Exclusion Zone. This extensive research shaped the writing in #THLOS and grounded her work in exploring the relationship between the land around us and our sense of belonging. What are you reading right now? The Scrapbook,...
Easy Meat – a new book by Rachel Trezise – the reviews are in…
Angels of Cairo | An interview with Gary Raymond
Holly Porter caught up with Gary Raymond to ask a few questions about his forthcoming novel, Angels of Cairo, and writing in general.
Jack Smylie Wild is Welsh Libraries Author of the Month
"Initially I was interested in quite abstract questions about what comprised a river. I was approaching ‘my obsession’ (for this is what it quickly became) from the philosopher’s perspective. Before long a shift occurred: the question of semantically defining a river became less important; after all, there was no denying the Teifi’s existence, as it rolled seamlessly seaward, in front of me. This freed me from focusing solely on the ‘flowing water of the Teifi’, and from this point on the project broadened its scope. I began to write about the lives of the river: its banks, its secret places...